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Alliance Rising — C. J. Cherryh Alliance Space — C. J. Cherryh Alliance Unbound — C. J. Cherryh Alternate Realities — C. J. Cherryh Anackire — Tanith Lee Angelmass — Timothy Zahn Arrow's Fall — Mercedes Lackey Arrow's Flight — Mercedes Lackey
Arrows of the Queen — Mercedes Lackey The Art of War and Other Stories — Timothy Zahn At Winter’s End — Robert Silverberg The Backlash Mission — Timothy Zahn Bastion: Book Five of the Collegium Chronicles (A Valdemar Novel) — Mercedes Lackey The Battle of Space Fort Jefferson and Other Stories — Unknown Betrayer — C. J. Cherryh The Birthgrave — Tanith Lee
The Black Gryphon — Mercedes Lackey Blackcollar — Timothy Zahn The Breakfast Bible — Author Brightly Burning — Mercedes Lackey By the Sword — Mercedes Lackey The Chalice of Death — Robert Silverberg Changes: Volume Three of the Collegium Chronicles (A Valdemar Novel) — Mercedes Lackey Chanur's Homecoming — C. J. Cherryh
Chanur's Legacy — C. J. Cherryh Chanur's Venture — C. J. Cherryh Closer to Home — Mercedes Lackey Closer to the Chest — Mercedes Lackey Closer to the Heart — Mercedes Lackey Cocktails — Williams Sonoma The Collected Short Fiction of C.J. Cherryh — C. J. Cherryh Companions on the Road — Tanith Lee
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Deadman Switch — Timothy Zahn Death's Master — Tanith Lee Deceiver — C. J. Cherryh The Deep Beyond — C. J. Cherryh Defender — C. J. Cherryh Defiance — C. J. Cherryh and Jane S. Fancher Delirium's Mistress — Tanith Lee Deliverer — C. J. Cherryh
Delusion's Master — Tanith Lee Dessert of the Day — Author

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Death of A Salesman

certain private conversations in two acts and a requiem

Arthur Miller

June 15, 1998 · Paperback · Penguin (Non-Classics) · 139 pp

ISBN 9780140481341 · English · US · Dewey 812.52 · LC PS3525.I5156 .D4 1976

Paperback

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room."By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time